louqedis            BASSDRUM-LOW          " @   SNARE-LONG            Y @   MYSTICBASS1.IFF        @   TEARBELL.IFF            @   MYSTICBASS2.IFF        @   #Kristopher Roebuck          #of                          #Project: Synthesis.         #Composed on                 #9th January 1995.           #Somethinhgs's not           #quite right here...         #two tunes in two            #days?  Death to             #1994 I guess.               #Again, the hellos -         #Icefire, Ricochet,          #Kuerguan, Cryogen,          #Style and Quetzal.          #No order of                 #preference mind you.        # I do hope that you         #are enjoying these          #compositions                #(well, if not...)           #To contact me:              #Kristopher Roebuck          #13 Mondurup street          #Mount Barker  6324          #Australia                   READ_ME.TXT            @                                                                                                                         M.K..?                           .0             .0             .0                             .0             .0             .0              0             .0             S0             .0                             .0             .0              0                              0              0              0                              0              0              0                              0              0             0             .0             S0                             .0                             .0             .0             .0                             .0             .0             .0              0             .0             S0             .0                             .0             .0              0                              0              0              0                              0              0              0                              0              0             0             .0             S0                             .?                          .0           .0           .0                            .0           .0           .0            0            .0           S0           .0                            .0           .0            0                            0            0            0                             0            0            0                           0            0           0            .0             S0                         .0                           .0           .0           .0                            .0           .0           .0            0            .0           S0           .0                            .0           .0            0                            0            0            0                             0            0            0                           0            0           0            .0             S0                         .?   O                  .0    @     .0    @     .0     @                     .0    @     .0    @     .0    @      0     @     .0    @     S0   @     .0     @                     .0    @     .0    @      0    @                      0    @      0    @      0     @                      0    @      0    @      0    @                     0    @      0    @     0     @     .0      @     S0   @                   .0    @  @                 .0    @  @ .0    @  @ .0     @  @                 .0    @  @ .0    @  @ .0    @  @  0     @  @ .0    @  @ S0   @  @ .0     @  @                 .0    @  @ .0    @  @  0    @  @                  0    @  @  0    @  @  0     @  @                  0    @  @  0    @  @  0    @  @                 0    @  @  0    @  @ 0     @  @ .0      @  @ S0   @  @               .?   O.P|               |.0    @ .P|.0    @ .P|.0     @ .P|               |.0    @ .P|.0    @ .P|.0    @ .P| 0     @  P|.0    @ .P|S0   @ SP|.0     @ .P|               |.0    @ .P|.0    @ .P| 0    @  P|               | 0    @  P| 0    @  P| 0     @  P|               | 0    @  P| 0    @  P| 0    @  P|              | 0    @  P| 0    @  P|0     @ P|.0      @ .P|S0   @ SP|             |.0    @ .P|               |.0    @ .P|.0    @ .P|.0     @ .P|               |.0    @ .P|.0    @ .P|.0    @ .P| 0     @  P|.0    @ .P|S0   @ SP|.0     @ .P|               |.0    @ .P|.0    @ .P| 0    @  P|               | 0    @  P| 0    @  P| 0     @  P|               | 0    @  P| 0    @  P| 0    @  P|              | 0    @  P| 0    @  P|0     @ P|.0      @ .P|S0   @ SP|             |.?   @                     .0           .0           .0     @             @     .0    @     .0    @     .0            0            .0           S0           .0     @              @     .0    @     .0    @      0                            0            0            0     @              @      0    @      0    @      0                           0            0           0     @     .0      @     S0   @                   .0    @  @                 .0           .0           .0     @  @         @  @ .0    @  @ .0    @  @ .0            0            .0           S0           .0     @  @          @  @ .0    @  @ .0    @  @  0                            0            0            0     @  @          @  @  0    @  @  0    @  @  0                           0            0           0     @  @ .0      @  @ S0   @  @               .?   @ .P|               |.0          |.0          |.0     @ .P|        @ SP|.0    @ .P|.0    @  P|.0          | 0           |.0          |S0          |.0     @  P|         @  P|.0    @  P|.0    @  P| 0          |               | 0          | 0          | 0     @  P|         @ P| 0    @  P| 0    @ P| 0          |              | 0          | 0          |0     @ P|.0      @ .P|S0   @ SP|             |.0    @ .P|               |.0          |.0          |.0     @ .P|        @ SP|.0    @ .P|.0    @  P|.0          | 0           |.0          |S0          |.0     @  P|         @  P|.0    @  P|.0    @  P| 0          |               | 0          | 0          | 0     @  P|         @ P| 0    @  P| 0    @ P| 0          |              | 0          | 0          |0     @ P|.0      @ .P|S0   @ SP|             |.?                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 
	 
 	 '%#-"&!

@@+
,&?-LP)/F9/2*	ۼ	-;4JBA_@H4<O?46.'!
տݵK4-SJ==IQO9.:/1-%
	
(*$#4DM-HeTTAILFB;5,)$л
!//,8-&&-22B51%&%
	 ƴȾ
 %+83'1<?50;LC/6FD=1)% 
&'0;JCHE>BSM<=6'))%$* "1$+19-	",,)"$'%*)
 	 
	!"!



 
 
 		$$")&!)2/#


 
"$#(#"(-*!
  
	



	
		  "#&#	 
	
   	%')-34-*($ #$!"

!)***'&"! 
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			   								    							   	                                                                                                                                               C%1?4ǳſ "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=.  "*3:>CEGHHHHHHHHHHHEB>7."º +;EHE=    mentation file for "mod.Louqedis"	Release 19950109

Salutations again listeners of strange Project: Synthesis music...

I would like to present to you another in my series of "Gee, where
did this tune evolve from?" compositions.  This piece of aural
disturbance was composed in one sitting while playing my guitar
after watching The Simpsons on GWN.  All sounds other than the drums
were created using FM Synth.  I think I'm beginning to like this 
programme.  I used to say that my only hold up writing new tunes on
the Amiga was my lack of decent samples.  Guess I wasn't lying after
all...

There isn't a lot I can say about this tune....it kind of just
happened.  I sat down at the keyboard and half an hour later this was
the end result.  All I need now is the compose a decent tune for my
next Commodore 64 music demo -- "Desparate phlegm" by Project:
Synthesis.  But first I've got to get that WA Musician demo from Chrome
out of the way (Oi, Rui!  I'll be coming by to visit you next week!)

Basically, the WA Musician demo is just a series of compositions by 
local(ish) musicians.  If anyone wants to contact me about doing 
another one after or perhaps an Amiga/IBM/Atari/Apple/Acorn version,
please feel welcome.  My letterbox requires a change of diet after
all the many thousands of job rejections....  Unfortunately, the 
only entries we have lined up so far are from me, Rui Franco 
(Roshima/Vipor FX) and Luke Cadwell (Cryogen/???).  Not much for a
"Really Outstanding Demo".

Ah, well, that's life....but not for Derryn Hinch....

Should you wish to contact me for any reason (for game music or
fan subtitled anime swapping - PAL only at this stage), here is my 
_current_ address....

	Kristopher Roebuck
	Project: Synthesis
	13 Mondurup street
	Mount Barker  6324
	Australia

Music is available in ProTracker MOD files, Digital Sound Studio or
OctaMED Pro V for any machine.

See you around folks.

Kris.

9/1/95 17:43:07
